Skip to content

Tag: 1984

Episode Thirty Seven – Van Bowie

What if David Bowie replaced David Lee Roth in Van Halen in 1985? Were the signs there all along? How does House Of Pain play into this? And were Kriss Kross wearing their clothes backwards in an attempt to get back to the time when Roth was in the mighty VH? Young Southpaw investigates

Taking in 1984, Diamond Dogs, Dancing In The Street, The Pointer Sisters, RATT, and much more

“I have a new album out, ‘The Lost Archimedes’. You can get it over on Bandcamp, youngsouthpaw.bandcamp.com And on the album I broach the subject that what if David Bowie had replaced David Lee Roth in Van Halen?

I mean makes sense, ya know. Coupling two of the most innovative musicians of the 20th century. Heck, prolly even of the entire Universe since Time Immemorial.

But also ya know, they both had songs called 1984. Van Halen’s the first track on the greatest album ever made, Bowie’s was on Diamond Dogs…Diamond Dave, there ya go! Makes perfect sense…

And they also both covered The Kinks’ ‘Where Have All The Good Times Gone’. A very relevant question after Roth’s departure

And I mean the Bowie Jagger Dancin’ In The Street is a hard thing to reckon with man. But when you realize it came in 1985, the very year Roth left and a mere months after that devastating event. Ya gotta figure it might have been some sort of signaling, ya know. VH themselves had also covered it back on Diver Down – another DD, like Diamond Dogs – an odd way to go about it, but ya know, lettin’ em know that he was available for the position. Gettin’ some moral support from his good buddy Mick

And then like 5150 man, that’s gotta be a nod to the US Festival ya know. Van Halen had a clause in their contract that no one could be paid more than them. So when Bowie was gettin’ a million and a half dolla bills, that brought VH’s fee up to also 1 point 5. 5150 ya know, even and then gettin’ raised up

5150 ya got Inside as the last…song, I guess, if you can call it that… Then Bowie goes and releases 1.Outside, a decade later of course, obviously he’s still smarting that it never happened. Heart’s Filthy Lesson and all that…

BUT!! Before that – and this is HUGE – his feelings best came out a few years before this, in 93 with, well you guessed it – Jump They Say. I mean who else says Jump, ya know…it’s right there…

Well I guess The Pointer Sisters said Jump as well. That woulda been rad, David Bowie bein’ in The Pointer Sisters. They coulda all covered I’m So Excited about Bowie actually joining Van Halen. The gracious sisters of course completely understanding how great it would be for him. Even if they were losing a now vital member…

But hold up a second cause I’m about ta blow yr minds. Bowie put out Jump They Say in 1993… And there’s someone else sayin’ Jump even just the year before. That’s right – HOUSE OF PAIN!!!!

Which if you’ll recall…was a Van Halen song!!! And the last song we ever heard from the original Van Halen, well I shouldn’t even be sayin original, you know what I mean. Last song we heard from Van Halen for quite a while, it bein the final song on 1984 and all…

Who coulda foretold that in the early 90s House Of Pain would become a band. And not only that but their song, their big hit, would be Jump Around! Callin’ back to Jump at the beginning of the 1984 album. And like House A Pain was an old tune of theirs, brought back just for the occasion. And it was also the b-side to the Jump 45. They knew!

I mean it’s kinda like Jump gave birth to House Of Pain. It’s 8 songs before on the record ya know, like 8 months of pregnancy, like House Of Pain was…a month premature. I don’t know, maybe they were just dyin’ to get out and jump around, you know. Reminds me of that chapter in Ulysses, where Joyce mimics the nine months of pregnancy with – sure it does, sure it does, reminds me of that – where Joyce mimics the styles of writing throughout the history of the English language over 9 long paragraphs. But Van Halen’s House Of Pain is 8 months cause it’s pop music, just dyin’ to get out there, it’s very nature. And woah H-O-P Hop! Like jump! Why wasn’t it Hop Around? Well of course because it was Jump that gave birth to it…

And you know if we trace it back from House of Pain we’ve got Drop Dead Legs but you wanna elevate the legs if you’re givin’ birth and then of course Panama! Like the Panama Canal! The waters breaking and like Ulysses was based on the Odyssey which was all about sea travel. And then I’ll Wait is a big clue too! It was 8 years between 1984 and Jump Around, just like the 8 songs! The 8 in the 19-8-E4 – E4 like a chess move – prefiguring the Wu Tang too. But I’ll Wait man, little did we know how long we’d have to wait for Roth to rejoin them. Or if it would ever happen. And I guess Bowie was waitin’ forever

And keeping going backwards, the first word of Panama is Jump! It’s like that song extends beyond the boundaries of time ya know. And if you played the record in reverse Panama would then turn inta Jump! Right after they say that first word! Actually also turn inta that riff that became Top Of The World, same album as Run- around. This is all too much! Though I mean obviously we always knew 1984 had great cosmic energies flowin’ thru it

And of course Van Hagar’s Runaround, man, came out the very year before House Of Pain put out Jump Around. Sure a lot of stuff goin around. Like that Ratt song, Round and Round. Of course if there’s a bunch of rats runnin around you’re gonna be jumpin’ Ya don’t wanna get bit by a rat. Even Warren DiMartini, unless like he could transfer his guitar playin skills to you that way. But that seems like a weird way to get around – here we go again – just practisin’ ya know

The Ramones took an early stance with this, with I Don’t Wanna Walk Around With You, first album 1976, while VH were still recordin’ demos with Gene Simmons

Of course Bowie covered Chuck Berry’s Round And Round early on…

And he had You’ve Been Around on Black Tie White Noise, same album as Jump They Say

But like 1992 when House Of Pain – the band House of Pain came out – was the same year as Kriss Kross. Also with a Jump! I was both really excited and confused at first cause I was expecting Kris Kristopherson to be covering the Van Halen classic. Took me a bit to get used to that that is what it would sound like. But then like slowly I got it ya know, they were wearing their clothes backwards cause they want to get back to a time when David Lee Roth was still in Van Halen. Symbolic, ya know…

But like 1984 being full of cosmic significance, the idea of Bowie being in Van Halen has been around a long time. Maybe even since the beginning of time itself. But as it goes with mysticism, the first hints I can see of it date back to 1972 and 73…

1972 Bowie releases 5 Years, obviously aware that in 1977 VH would be recording their debut album. Of course he would release Heroes towards the end of 77 just to remind us what was coming

And back in 73 he goes and releases a version of Jacques Brel’s ‘Amsterdam’. A nod to the Van Halen brothers homeland of course

Diamond Dogs came out in 1974, same year Eddie and co changed their name from Mammoth to Van Halen. Bowie keeping the animal symbolism going as well as the Diamond of Diamond Dave as previously mentioned. And putting out the song 1984 like that was such a bold statement of intent

And then like who else could he have been referring to with Young Americans? Setting aside for a moment that their last name is clearly Dutch, cause of course they embody the very spirit of American Rock N Roll. Heck the very spirit of America

And the overtones keep goin’, 1980 ya know, both albums Scary Monsters & Super Creeps…gotta save the Women & Children First of course

And then like off Fair Warning we had So This Is Love? and Hear About It Later, which of course we did – two years later – Bowie bringing out Modern Love to answer their question

Offa Let’s Dance…Let’s Dance The Night Away ya know… And like what else would you light up the sky with but Ziggy Stardust?!

Heck maybe even Changes was about all this. Ya know, the darker side. Obviously you’d start putting it out in 1971 that Roth might leave Van Halen, a band that didn’t even exist yet, ya know to make sure people were prepared. Of course no one could ever be prepared but Bowie should be lauded for tryin’…

And I gotta think Roth woulda been cool with it ya know, being replaced by…I mean this is David Bowie we’re talkin about”

Leave a Comment

Episode Eighteen – Van Halen Child (Slight Return)

In which Young Southpaw further explores Van Halen numerology, catching a glimpse of their shamanistic bilocation attempts in the Van Hagar era, conjectures what each of Earth Wind & Fire’s solo albums would be like, expresses his wish for Swedish singer Robyn to cover Robyn Hitchcock’s ‘I Often Dream Of Trains’ album in its entirety as ‘I Often Dream Of Trains Too’, and much more.

Taking in 1984, 5150, OU812, For Unlawful Carnal Knowledge, Van Halen II, Women & Children First, Fair Warning, “Fare Warning”, ‘Top Of The World’, Mr. Solo, The Offspring, Wilson Phillips, Nelson, The Go-Betweens, Jesus Jones, Jimi Hendrix, German, the soft J, Amon Düül II, Ash Ra Tempel, Julian Cope, ‘Yeti’, yams, yaks, Stevie Ray Vaughan, David Bowie, the US Festival, Tom Baker, Dancing In The Street, Black Sabbath, Superchunk, Aerosmith, The Ramones, Bad Brains, Fugazi, The Replacements, Hanoi Rocks, Kraftwerk, a-Ha, Led Zeppelin, trains, ‘Crazy Train’, etc.

 

 

Leave a Comment

Episode Six – The Anthony Burgess Van Halen Connection

“Talk about extremes, Gary Cherone joined Van Halen! Got to play with the old Edward Van, as Anthony Burgess woulda said had he written ‘Clockwork Orange’ in the 80s, you know 1984, and then Anthony Burgess had that 1985 book, and Van Halen are Dutch, what’s the national colour of the Dutch? I think you’ll find it’s orange…”

Young Southpaw traces the not-so-hidden connections between the British novelist and the ultimate hard rock band, taking in along the way the idea that Bad Brains should do a James Bond theme, Billy Joel & Billy Joe Armstrong should duet, using the Eiffel Tower as a unit of measurement, and much more.

“Has Billy Joel figured out why he goes to extremes yet? I mean you think he woulda let us know, you know. I mean figured it out written another song, helped everyone else who has that problem you know. I mean maybe for him it’s just a song but to some people it’s a way a life. I mean to Jovi, you’ll remember last episode, that second Bon Jovi album bein’ called 7800 degrees Fahrenheit, I mean that seems to be the very definition of extreme. Well, I guess you got the band Extreme, you know More Than Words etc. And then for Gary Cherone, their lead singer, I mean talk about extremes, he joined Van Halen! Got to play with the old Edward Van, as Anthony Burgess woulda said had he written Clockwork Orange in the 80s, you know 1984. And then Anthony Burgess had that 1985 book, you know. And you know Van Halen are Dutch and what’s the national colour of the Dutch? I think you’ll find it’s orange. So that woulda made sense, you know. And remember Alex’s eyes are all bug-buggin’ in that one when he’s watching the film? I mean what if he had been watchin’ the Pretty Woman video? I mean who’s eyes aren’t bug-buggin’ as they say when they see that video? It’s like givin’ everyone the Ludovico technique. And I mean doesn’t Alex Van Halen play Ludwigs? I can’t make this stuff up! The old Alex Van playin’ Ludwigs. Man, it’s gettin’ too real!

I mean what did Anthony Burgess write in the late 70s when Van Halen first started releasin’ records? He was probably workin’ on Earthly Powers. Well 1985 came out in 1978. Confusing I know but also the year the first VH record appeared. Then you had Van Halen II in 1979 and then Gary Cherone joined years later for Van Halen III. Years later so it’s kinda like releasing  a book called 1985 in 1978. But I’ve still never heard Van Halen III, I’ll be honest with ya. But you know, I appreciate the legacy. When I saw that Sam & Dave tour back in 2002, Gary Cherone joined Sammy Hagar on stage for some songs. Top Of The World I think, you know, I love that song. I mean people draw lines and of course I mean you know I love Roth but I’ll still listen to Van Hagar, I mean I still love 5150. And Top Of The World, you know. I remember being in the line for the bathroom at that show, you’ll excuse my bathroom talk but it hit me when I was there, like a ton of bricks. The realization that, well I saw this dude I went to college with. Jamie we called him, that was his name. He was in that same line, the one at the show, I don’t remember there bein’ any lines for the bathroom at college. Well not at the university buildings themselves but obviously at parties you know. There were lines as long as the Eiffel Tower. Well you know what I mean, horizontal lines not vertical, but the same distance for both. But if you prefer to look at it like the line to get into the Eiffel Tower well then you’re free to see it that way too. But anyway we weren’t in college anymore, though I’m sure at the same concurrent time – this was 2002 remember, and even nowadays I’m sure – that there are lines for the bathroom while concerts are going on even in the places the concert isn’t. You know what I mean…

So anyway I saw Jamie and he yelled across the line ‘who are you here to see?’ And the question just totally shocked me, you know like that KISS song. But KISS wasn’t playin’. But you know that Gene Simmons recruited Alex and Eddie to play on some demos back in 1976 or so, and I’ve been waitin years for them to come out. Christine Sixteen and a couple others, three in total I do believe. You’d always hear the rumors but now they’ve released that Gene Simmons boxset and it costs $2500 you know. So anyway Jamie asked me who I was there to see and said ‘well Dave of course’. And then this started a whole big argument in the bathroom line – again I’m sorry about the potty talk, but – well that but was an interjection to change the subject, not more bathroom talk, so I didn’t realize that people were there to see Sammy. And it wasn’t like I wasn’t there to see Sammy, you know I love a lot of those songs and it was a good show, Sammy was real good. But it never occurred to me that Dave doing all those songs again wasn’t the main draw. It certainly never occurred to me that there’d be people screamin’ about it across a line for the bathroom, again I’m sorry…

But you know, it takes all types to make a world, people say. And then Roth didn’t play Unchained that night and it broke my heart, broke my heart you know. That’s what I wanted to hear. The most exciting rock song ever written, closely followed by Panama and Everybody Wants Some you know. And you know I think they’ve got the Top 5. Somebody Get Me A Doctor is a real good riff, but I’d put at number 4 Pavement’s Unfair you know, shake em like you just don’t care Steve Malkmus. That song’s real good, I love it. That’s a rocker you know, like that AC/DC song I’m a Rocker, I’m a roller, I’m a right down out of controller you know off Dirty Deeds Done Dirt Cheap. You got all the DCs in there you know, they should toured with Bad Brains. I mean that woulda been the best tour ever! Bad Brains, you got Dr. Know on guitar, Whooooooooah Nelly, you know. And Dr. Know, Bad Brains shoulda done a James Bond theme. That woulda been amazin’. They prolly coulda timed it right, you know, when hardcore was getting popular, right before emo, maybe done GoldenEye, or maybe Die Another Day. Madonna and Bad Brains, you know wow, let me tell you…

I mean that crazy Fall Out Boy band, I mean they remind me a Quicksand. Especially that crazy Sugah song you know, sugah-shoug-shoug. You know ‘down down’ etc. I mean Bond’s always fallin’ outta airplanes you know, maybe they shoulda done a Bond theme. Well I mean the first ones that come to mind are GoldenEye and The Spy Who Loved Me but they weren’t around then. But hey Anthony Burgress wrote an early draft of the screenplay for The Spy Who Loved Me, and I think the whole underwater lair thing was his idea. I mean obviously the ideal would be for Van Halen to do a Bond theme. You got lotsa eyes in the Bond titles, so I’m The One comes to mind immediately or I’ll Wait. I guess we’re all waiting for that. Were they talking about the wait that we’d all face for them to get asked by EON Productions? Did they know it would be this long? Maybe Fall Out Boy and Van Halen should collaborate. And Bad Brains and Madonna! Maybe that could be the whole film, just the four of them in the studio. A bit avant-garde for a blockbuster James Bond film I know, but the times they are a changin’…

But where was I..,oh yeah, extremes you know. Billy Joel. And then you got that Billy Joe from Green Day. That’s just confusin’, imagine if the two of them duetted. Call their song, El Billy. Get the mariachi goin’… or they should cover AC/DC’s Who Made Who, that’d be amazin’! Mariachi style or otherwise… Or do a whole mess a Billy songs – Billie Don’t Lose My Number, Dollar Bill by The Sceamin’ Trees, Billie Jean, I mean that song always confused me growin up. Cause you had that tennis player Billie Jean King, and Michael Jackson was called The King Of Pop and he was the one doing the song. So no, maybe they better skip that one. No need to lead to the Land Of Confusion, like Phil Collins also said. But I never cared for that song and that video you got puppets pressing the button for nuclear war like Anthony Burgess had that book The End Of The World News, and that video’s all too much for people to take who are dealin with the fact that David Lee Roth had just left Van Halen! Well they could do Big Bad Bill Is Sweet William Now, like Van Halen themselves did on Diver Down…

All these Ds… Thinkin back on it Anthony Burgess wrote The Doctor Is Sick, first one I ever read. And then you got Van Halen II’s Somebody Get Me A Doctor, like I said before. And then The Pianoplayers came out in 1986, spookily the same year as 5150. Which if you’ll recall was synthesizer heavy. Don’t get me wrong I love those songs but it was always conjectured that it was the move towards synths and away from guitars that led to the split with Roth. But I’m sure it was much more complicated than that. But what really gets me is that Burgess’ Mozart and The Wolf Gang came out in 1991, the very same year that Wolfgang Van Halen was born. I rest my case.”

Leave a Comment
css.php