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Tag: David Bowie

Episode Forty Five – Why Wasn’t Spuds Mackenzie In Wilson Phillips?

Well, why wasn’t he? Or in Bowie’s band? And why wasn’t Jon Pertwee? Young Southpaw explores these and other questions as well as contemplating the idea of perhaps the ultimate supergroup of Van Halen, George Clinton, Wilson Phillips, and everybody’s favourite 80’s beer-toting canine, Spuds Mackenzie.

Taking in One Day At A Time, David Bowie, Diamond Dogs, Pin Ups, Iggy Pop, Beach Boys, Doctor Who, The Replacements, and much more

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Episode Thirty Seven – Van Bowie

What if David Bowie replaced David Lee Roth in Van Halen in 1985? Were the signs there all along? How does House Of Pain play into this? And were Kriss Kross wearing their clothes backwards in an attempt to get back to the time when Roth was in the mighty VH? Young Southpaw investigates

Taking in 1984, Diamond Dogs, Dancing In The Street, The Pointer Sisters, RATT, and much more

“I have a new album out, ‘The Lost Archimedes’. You can get it over on Bandcamp, youngsouthpaw.bandcamp.com And on the album I broach the subject that what if David Bowie had replaced David Lee Roth in Van Halen?

I mean makes sense, ya know. Coupling two of the most innovative musicians of the 20th century. Heck, prolly even of the entire Universe since Time Immemorial.

But also ya know, they both had songs called 1984. Van Halen’s the first track on the greatest album ever made, Bowie’s was on Diamond Dogs…Diamond Dave, there ya go! Makes perfect sense…

And they also both covered The Kinks’ ‘Where Have All The Good Times Gone’. A very relevant question after Roth’s departure

And I mean the Bowie Jagger Dancin’ In The Street is a hard thing to reckon with man. But when you realize it came in 1985, the very year Roth left and a mere months after that devastating event. Ya gotta figure it might have been some sort of signaling, ya know. VH themselves had also covered it back on Diver Down – another DD, like Diamond Dogs – an odd way to go about it, but ya know, lettin’ em know that he was available for the position. Gettin’ some moral support from his good buddy Mick

And then like 5150 man, that’s gotta be a nod to the US Festival ya know. Van Halen had a clause in their contract that no one could be paid more than them. So when Bowie was gettin’ a million and a half dolla bills, that brought VH’s fee up to also 1 point 5. 5150 ya know, even and then gettin’ raised up

5150 ya got Inside as the last…song, I guess, if you can call it that… Then Bowie goes and releases 1.Outside, a decade later of course, obviously he’s still smarting that it never happened. Heart’s Filthy Lesson and all that…

BUT!! Before that – and this is HUGE – his feelings best came out a few years before this, in 93 with, well you guessed it – Jump They Say. I mean who else says Jump, ya know…it’s right there…

Well I guess The Pointer Sisters said Jump as well. That woulda been rad, David Bowie bein’ in The Pointer Sisters. They coulda all covered I’m So Excited about Bowie actually joining Van Halen. The gracious sisters of course completely understanding how great it would be for him. Even if they were losing a now vital member…

But hold up a second cause I’m about ta blow yr minds. Bowie put out Jump They Say in 1993… And there’s someone else sayin’ Jump even just the year before. That’s right – HOUSE OF PAIN!!!!

Which if you’ll recall…was a Van Halen song!!! And the last song we ever heard from the original Van Halen, well I shouldn’t even be sayin original, you know what I mean. Last song we heard from Van Halen for quite a while, it bein the final song on 1984 and all…

Who coulda foretold that in the early 90s House Of Pain would become a band. And not only that but their song, their big hit, would be Jump Around! Callin’ back to Jump at the beginning of the 1984 album. And like House A Pain was an old tune of theirs, brought back just for the occasion. And it was also the b-side to the Jump 45. They knew!

I mean it’s kinda like Jump gave birth to House Of Pain. It’s 8 songs before on the record ya know, like 8 months of pregnancy, like House Of Pain was…a month premature. I don’t know, maybe they were just dyin’ to get out and jump around, you know. Reminds me of that chapter in Ulysses, where Joyce mimics the nine months of pregnancy with – sure it does, sure it does, reminds me of that – where Joyce mimics the styles of writing throughout the history of the English language over 9 long paragraphs. But Van Halen’s House Of Pain is 8 months cause it’s pop music, just dyin’ to get out there, it’s very nature. And woah H-O-P Hop! Like jump! Why wasn’t it Hop Around? Well of course because it was Jump that gave birth to it…

And you know if we trace it back from House of Pain we’ve got Drop Dead Legs but you wanna elevate the legs if you’re givin’ birth and then of course Panama! Like the Panama Canal! The waters breaking and like Ulysses was based on the Odyssey which was all about sea travel. And then I’ll Wait is a big clue too! It was 8 years between 1984 and Jump Around, just like the 8 songs! The 8 in the 19-8-E4 – E4 like a chess move – prefiguring the Wu Tang too. But I’ll Wait man, little did we know how long we’d have to wait for Roth to rejoin them. Or if it would ever happen. And I guess Bowie was waitin’ forever

And keeping going backwards, the first word of Panama is Jump! It’s like that song extends beyond the boundaries of time ya know. And if you played the record in reverse Panama would then turn inta Jump! Right after they say that first word! Actually also turn inta that riff that became Top Of The World, same album as Run- around. This is all too much! Though I mean obviously we always knew 1984 had great cosmic energies flowin’ thru it

And of course Van Hagar’s Runaround, man, came out the very year before House Of Pain put out Jump Around. Sure a lot of stuff goin around. Like that Ratt song, Round and Round. Of course if there’s a bunch of rats runnin around you’re gonna be jumpin’ Ya don’t wanna get bit by a rat. Even Warren DiMartini, unless like he could transfer his guitar playin skills to you that way. But that seems like a weird way to get around – here we go again – just practisin’ ya know

The Ramones took an early stance with this, with I Don’t Wanna Walk Around With You, first album 1976, while VH were still recordin’ demos with Gene Simmons

Of course Bowie covered Chuck Berry’s Round And Round early on…

And he had You’ve Been Around on Black Tie White Noise, same album as Jump They Say

But like 1992 when House Of Pain – the band House of Pain came out – was the same year as Kriss Kross. Also with a Jump! I was both really excited and confused at first cause I was expecting Kris Kristopherson to be covering the Van Halen classic. Took me a bit to get used to that that is what it would sound like. But then like slowly I got it ya know, they were wearing their clothes backwards cause they want to get back to a time when David Lee Roth was still in Van Halen. Symbolic, ya know…

But like 1984 being full of cosmic significance, the idea of Bowie being in Van Halen has been around a long time. Maybe even since the beginning of time itself. But as it goes with mysticism, the first hints I can see of it date back to 1972 and 73…

1972 Bowie releases 5 Years, obviously aware that in 1977 VH would be recording their debut album. Of course he would release Heroes towards the end of 77 just to remind us what was coming

And back in 73 he goes and releases a version of Jacques Brel’s ‘Amsterdam’. A nod to the Van Halen brothers homeland of course

Diamond Dogs came out in 1974, same year Eddie and co changed their name from Mammoth to Van Halen. Bowie keeping the animal symbolism going as well as the Diamond of Diamond Dave as previously mentioned. And putting out the song 1984 like that was such a bold statement of intent

And then like who else could he have been referring to with Young Americans? Setting aside for a moment that their last name is clearly Dutch, cause of course they embody the very spirit of American Rock N Roll. Heck the very spirit of America

And the overtones keep goin’, 1980 ya know, both albums Scary Monsters & Super Creeps…gotta save the Women & Children First of course

And then like off Fair Warning we had So This Is Love? and Hear About It Later, which of course we did – two years later – Bowie bringing out Modern Love to answer their question

Offa Let’s Dance…Let’s Dance The Night Away ya know… And like what else would you light up the sky with but Ziggy Stardust?!

Heck maybe even Changes was about all this. Ya know, the darker side. Obviously you’d start putting it out in 1971 that Roth might leave Van Halen, a band that didn’t even exist yet, ya know to make sure people were prepared. Of course no one could ever be prepared but Bowie should be lauded for tryin’…

And I gotta think Roth woulda been cool with it ya know, being replaced by…I mean this is David Bowie we’re talkin about”

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Episode Thirty Five – Star Wars With Jon Bon, Ally McB, & Cliffy C

“I don’t mean to imply that Star Wars was some sort of documentary about Ms. Flockhart and Jon Bon Jovi on the set of Ally McBeal”

In which Young Southpaw ponders why the Star Wars films didn’t have theme songs a la the James Bond franchise

Taking in The Indelicates, Thomas Pynchon, Inherent Vice, The Ramones, KISS, Rocky IV, Def Leppard, Metallica, David Bowie, Cheers, Cliff Claven, Hoth, Empire Strikes Back, Shirley Bassey, and much more etc.

 

“So I’m doin another podcast, one where I interview artists I really dig, it’s called Etcetera ETC with Young Southpaw. You can find it at all the places ya know. And last week’s one was pretty eye-opening man. I interviewed The Indelicates, a band I’ve loved for a long time, and Simon Indelicate pointed something out… Now it’s weird man, like I’m not exactly sure his last name is Indelicate, I wouldn’t put money on it, especially against him. But that’s the name of the band and so the last name he uses I’m pretty sure. I mean this is the way things have gone since The Ramones, since the end of last century, or I guess the last fifth of last century, that album came in 1980 I think… But ya know, hey ho, let’s go with it…

But speaking of real names, there was that character in Tommy P’s Inherent Vice novel called Vincent Indelicato. And well I can’t say that I’m not sure that that’s his real last name cause he’s someone that Thomas Pynchon created so like… I don’t know, I mean, he’s obviously a fictional character, but it’s probably the fictional character’s real last name. There was no indication in Inherent Vice that he was, that this was an alias, or that he was even in a band. I mean I doubt he was even in The Indelicates. Man, I guess I missed a trick. That I should have asked The Indelicates have they ever had any fictional characters, by Thomas Pynchon or otherwise, in their band. And then like this guy would have been a bit of a rebel too, insisting on Indelicato while the rest of them are Indeli-cate ya know…

But anyway like Simon Indelicate ya know…aka……..Simon Indelicate… pointed out that Jovi, ya know Jon Bon… his first appearance on record was actually that Star Wars Christmas album that came out in 1980 ya know. Woah same year as The Ramones’ End Of A Century! I wonder what that’s implying. I mean centuries can be used to measure the distance ya know like for a long time ago in a etc ya know. But this got me thinking – why didn’t the Star Wars movies, ya know, like the Bond films, have theme tunes with like the popstars of the day on them? Woulda been rad! And huge for the music industry! I mean they wouldn’t have to have the Ramones do one, even though that’s probably what we all want! I mean they were on that Space Ghost Coast To Coast promoting their Acid Eaters covers album but we’d want original material, ya know! Like Rocket To Russia would be more appropriate especially if like after blowing up the Death Star the Ramones themselves – I mean I guess they’d have to be in the film now – so like they help the rebels blow up the Death Star then they take said rocket and go to the Soviet Union to fight Drago. I mean yeah it’d have to be like all four of them cause they’re like skinny guys living on junk food…

But ya know, like the Bond films, I think we’d want the theme songs to be done by a different band for each film. I mean Shirley Bassey, she’s a whole different story, can’t get enough of her. Imagine her covering Depeche Mode’s Just Can’t Get Enough, for a Bond film no less! And besides ya know you can’t be poaching people who have already done Bond films. Though if that lead to a Star Wars film where James Bond himself was playing a lead role, that’d be pretty amazing!

So like who can we get?  It’s 1977, right? And yeah the John Williams theme tune is classic enough but who’s to say it wouldn’t have been an even bigger movie ya know if like KISS had been in it?! I mean that makes total sense too ya know. Ya got StarChild and Ace as the Spaceman and like Gene Simmons’ make-up coulda easily been like another Darth Vader type character! And then like Peter Criss – don’t you find it weird that with all the different planets they visited in those films you never see one cat! And like if KISS were in Star Wars, woulda saved us all from KISS Meets the Phantom Of The Park. Though I gotta say I do like the acoustic version of Beth from that film…

Then we’ll slate The Ramones in for Empire and then we got Jedi…

I mean 1983 was a killer year for music Would Return of the Jedi have been better if it had a soundtrack of Def Leppard, something from Bowie’s ‘Let’s Dance’, and Metallica? Like the Imperial March is rad and all but imagine adding Seek & Destroy to the Empire’s theme music?!

And then of course I forgot all about why this is happening in the first place, gotta get ol’ Jon Bon himself involved!

I mean Jovi was an actor for a while, he was in Ally McBeal. In one of those high Boston office buildings too. I mean closer to space than here on Earth and ya know legal battles are kinda like wars ya know. I mean lawyers always seem so busy, I don’t know if they’d have time to go see a film called Moderately High When Compared To The Ground…Wars… And it would’ve had to have come out before Legal Eagles I think. Ya know if the Star Wars franchise stood a hope of surviving. But I mean this could be the New Hope they’re talkin about!

And like Calista Flockhart, that’s a name up there with Luke Skywalker! She was as, Jovi himself pointed out in Living On A Prayer, “halfway there”. I don’t mean to imply that Star Wars was some sort of documentary about Ms. Flockhart and Jon Bon Jovi on the set of Ally McBeal…

But wait a minute! Cliff Clavin from Cheers was in Empire Strikes Back! Makes sense too with him being a mailman and he’s in that scene on the ice planet Hoth, I mean Boston gets real cold in the winter! And ya know “neither snow nor rain not heat” etc. – snow is the very first one in the mail carrier’s motto! So like maybe he’s in the mail room at the Rebel Legal Office and he delivers some important maybe even the plans to yet another Death Star if they wanna keep harpin’ on that, delivers em to ol’ C Flock herself. Woah! Should Flock of Seagulls do her theme tune?! That’d be wild! But then like, would Jovi end up composing his own theme tune? I don’t know how I feel about that…

And like legally speaking, Simon Indelicate was the one who pointed this out to me in our interview, so it seems only appropriate that The Indelicates should soundtrack one of the films themselves…

But like they didn’t form until 2005, and I don’t even think in time for Revenge Of The Sith. Unless like, I mean if they were to remake the films now and have a subplot be about a band from the south of England time-travelling in order to get on the soundtrack of the very film we’re all watching! I mean it might be a bit more believable”

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Episode Thirty One – A Question Of Questions

In which Young Southpaw dives right into the chaos surrounding the world of queries within song and film, showing David Bowie to be – as you’d expect – valiantly at the front of both

Taking in Does Your Chewing Gum Lose Its Flavour On The Bedpost Overnight, Sweet Child O’Mine, Axl Rose, Guns N Roses, Paradise City, Depeche Mode, The Wizard Of Oz, Star Wars, and much more

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Episode Thirty – C.G. Ramone

In which Young Southpaw looks into the theories about the great psychoanalyst C.G. Jung’s time as a member of The Ramones, detailing the band’s part in the whole Construction Time AgainAppetite For Destruction cycle while calling bull on Freud’s Louisa May Alp-cott speculations, and much else

Taking in the Sex Pistols, Buzzcocks, Live Aid, The Clash, Young Frankenstein, David Bowie, Eurythmics, R.E.M., Subhumans, Sonic Youth, etc.

“Lotsa people be like ‘Southpaw, you crazy! Talking bout Jung’s influence on the 80s records while skippin’ over his whole involvement with the punk movement like that. As if the Spirit of 77 never even happened. But people have been asking this question since the dawn of time – who was Carl Jung’s favourite OG punk band?’

I mean Sex Pistols, Buzzcocks you know seem more Freud’s cup of tea. I’m not saying he had tea made out of…male members, not even pandas though I’ve heard, I’ve heard that’s an aphrodisiac… But I just don’t know how that would have any bearing on who Freud… or anyone’s favourite punk band was… Unless it was like Never Mind The Bullocks just put, ya know, the other thing…in a cup a tea

But punk was rebelling against all that! Or so they claimed. I mean Buzzcocks, that’s your caffeine hit right there. But we can’t just sit around drinking tea all day – no matter what it’s made out of – to try and figure out where Freud’s punk allegiances lie. I mean maybe he had his own underground band goin’ on in Vienna, ya know. That although it stayed true to the spirit of punk, it was a bit too avant-garde for them to be invited on the Anarchy In The UK tour. Then some people even claim that, fed up with this lack of commercial success, despite wishing to at the same time remain true to his artistic ideals – I mean you can see where psychoanalysis came from –  well some claim that, with all this going on, Freud actually became a founding member of Ultravox

But then ya know with Live Aid and everything, We Are The World, I mean what a throwing down the gauntlet to Jung. I mean if anything We Are The Collective Unconscious

But I mean Jung’s punk bands – woo! – I mean you’d prolly think of The Clash first of all, right? With all that stuff going on underneath the surface of consciousness, all you have to reconcile. Or maybe the Clash should have been Freud and Jung’s supergroup, ya know, after their famous split

But I’m just gonna say it. I mean though I have no documentary proof of this, I think it was The Ramones. I mean let’s look at the facts

Young Frankenstein comes out in 1974. I mean obviously they couldn’t spell it with a J, it’s an American film. But ya know, it takes place over there around Central Europe. Ya know right near Jung’s native Switzerland. The alps ya know, like ALP in Finnegans Wake and ya know Joyce is buried in Zurich. Louisa May Alp-cott, ya know… Not quite. I mean Little Men and Little Women, Freud you can’t be usin’ that, that wasn’t her name. But ya know Alps, the Sound Of Music ya know, predictin’ punk rock! And Julie Andrews’ film before that was Mary Poppins ya know – pop, pop music. I mean no wonder so much punk just sounded like pop songs played real fast, ya know…

But back across the ocean, over in New York City in 1974 the Ramones are forming. And you know David Bowie always knew what was really goin’ on. I mean next year in 1975 he goes and releases Young Americans to let us all know…that this up an coming punk band…are probably gonna be the famous Swiss psychoanalyst Carl Gustav Jung’s favourite punk band. Bowie was hip, man

Then there’s the whole thing that people claim Jung was actually in the Ramones for a while. For a lot longer than you’d expect too. I mean the arguments about this go back and forth, and prolly will for aeons ya know. But the story goes that when the Ramones released Pleasant Dreams, Jung felt it was time to speak up. For dreams, can be anything but pleasant. It was a conversation he would also later clarify with the Eurythmics… And so during the European leg of the Ramones tour in November of that year they found the time to meet up, at a Burger King – Jung’s suggestion, thinking it might force some sort of unconscious confrontation with the lyrics of Oh Oh I Love Her So – and, sources say, here Joey Johnny and the gang were so impressed that they just immediately handed Jung a leather jacket and jeans. Magically just his size. And from there on out, they got down to some serious work. C.G. Ramone paving the way for C.J. to come thru in ’89. The band honouring Jung right before this happened with naming their greatest hits collection Ramones Mania. And then when C.J. joined the first album is called Brain Drain?! That’s almost enough for me to rest my case

But let’s look at the facts. Right after this little talk at the Burger King – some say it was in Spain and that Mondo Bizarro points to this, others claim it would’ve without a doubt been in Germany – but anyways the next Ramones album was Subterranean Jungle. Jung’s name right in there. And what a better metaphor for the collective unconscious than a subterranean jungle. My goodness, those boys were onto something. And what’s the big hit off of Subterranean Yungle or Jungle however you wanna pronounce it? Well only Psycho Therapy!

This was in 1983 too, tying into the whole theory broached last episode that the great cycle of the world can be seen in the movements between that year’s Construction Time Again and 1987’s Appetite for Destruction. 1985 being the midway point, the center of it all, where the craziest things can happen. Like David Lee Roth leavin’ Van Halen. And that precisely did occur. R.E.M. was hip to this early on too, man. Again an issue of dreams not being so sweet. Psychic TV, woah, there ya go. But they had that album Dreams Less Sweet released in 1983 same year as Sweet Dreams are made of this who am I to disagree etc.

But R.E.M. right smack in the middle of the whole Construction/Destruction cycle, right there in 85 go on and release Fables Of The Reconstruction! Trying to hip the world to the fact that there’s a better way, the synthesis the sages have known for ages is coming. I mean look at some of those songs too – Maps & Legends, Life & How To Live It…foooo!

The Subhumans too! Another choice for favourite punk bands. I mean they broke up in 85 but they knew what was up back in 83, released From The Cradle To The Grave to point to the start of the cycle all over again

I mean it was a crazy world in 1985. Especially at the beginning with the proposed balance approaching, Freud planning Live Aid from the afterlife and all that. I mean it was all too much for Carmen Sandiego. And to show you how crazy it was, no one was really asking the question ‘if Carmen Sandiego is anywhere else in the world besides San Diego then what is really going on?’

But the Ramones knew. Especially with ol C.G.’s help – the C.G. I in the triangle as some were calling it – I mean they knew what was coming and prepared for it, openly declaring in 1984 that they were Too Tough To Die. Knowing that things often don’t survive such transitional phases as the switch to the Appetite side of the spectrum. They even went so far as to piss off Freud with Mama’s Boy, making sure they weren’t asked to participate in the Live Aid proceedings

1985 saw no new album from the Ramones

But 1986 with Animal Boy saw them heading back towards the primal, Mental Hell off that album further evidence of the Swiss doctor’s behind the scenes workings

And then, most tellingly, 1987 rolls around – the year we hit peak Appetite For Destruction. And we get Halfway To Sanity. I Lost My Mind and I Wanna Live bold proclamations of the journey they were on

And then as boldly as it began, it all seemed to scatter. A Slothrop-like fading out of the narrative… Was this an effect of the cycle? Or something else? Some claim they couldn’t have a C.G. and a C.J. both in the band while others were all for this balancing the J’s of Johnny and Joey, and with Jung’s role never being clearly defined or at least not made public, it made things all the more problematic. Especially with his last name startin’ with a J

Some look for him going on into the future, providing inspiration for countless other bands. I mean Sonic Youth? C’mon – Jung, Youth. I mean as if Expressway to Yr Skull and Schizophrenia weren’t enough they only go and release Goo in 1990. Carl Goo! Though people will point to Confusion Is Sex putting them more in the Freudian camp. This debut of course coming out in 1983. And thus the great cycle continues”

 

 

 

 

 

 

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Episode Twenty Three – John Lennon Séance

In which Young Southpaw proposes a séance to get to the bottom of who in fact John Lennon thought was the best drummer in The Beatles, what we might find out about Live Aid in the process, and are people who wear a number other than two shoes really badasses?

Taking in Lenin, Van Halen, David Lee Roth, David Bowie, The Beat, symbols, Russian letters, Jabba The Hut, Elton John, Phil Collins, Adam Ant, the astral plane, etc.

“You know that John Lennon quote about Ringo, ya know? When Lennon was asked if Ringo was the best drummer in the world or something, and Lennon’s reply was ‘he’s not even the best drummer in The Beatles’ BUT I MEAN WHO WAS?! Ya know? I realize it was intended as, as a humorous statement, but it does raise the question – who was the best drummer in The Beatles? And I guess we’ll never know. We’ll certainly never know who John Lennon thought, unless of course he confided it to someone, well WILL THAT PERSON PLEASE COME FORWARD?! I tell ya, if he did tell somebody who he thought was, well, that person is a master at keeping secrets, someone I would very much like to have as my friend. Though that would complicate things because I would know that he had this information that I sought, and he…or she…would be aware that I desperately wanted this information, and not just me, I imagine the whole world at large would like to know too, ya know. And that would make things uncomfortable for the secret bearer, so that we could never truly be great friends, ya know. No matter how well we got along. Or even if like we perfected like some sort of unstoppable give-and-go basketball play that only we could perform, and like all the major teams were trying to sign us, new leagues sprouting up all over the world in the hopes that we’d be on their starting five but eventually I imagine this rift, this being unable to reveal all our deepest darkest knowledge to one another, would crumble even that. A shame really…

I mean I guess we could have a séance. That might even be the purpose of seances, the real deal, ya know find out, find out the facts, ya know. All the ancient mysteries of the universe that the dead are now privy to – like who did John Lennon think was the best drummer in The Beatles. Hmm, I was gonna say could it have been Stuart Sutcliffe, you know, you gotta lock the bass in with the drums? But he wasn’t in The Beatles when John Lennon made that statement, and he didn’t say ‘who’s ever been in The Beatles’ cause I mean that would have been like really unkind. You’d have all these people, ya know like opium addicts who are trying to set records for crashing hot air balloons, and like pyromaniac hairdressers who now operate in more metaphysical spaces ya know once they’d read Barbarella, all them start claiming they had been in The Beatles for like a day and that song Yesterday was actually about that 24 hour period and they’ve got the minidiscs to prove it. But no one knew what minidiscs were back then…

But I mean what else would I like to know from John Lennon if we were to do this thang? Well like, what did he think of Live Aid, ya know as a spectral being? That would certainly be interesting, I mean what would he have thought of it, 1985, what did he think of David Lee Roth leavin’ Van Halen?! Was it too soon for somethin’ like Live Aid after that catastrophe? Y’all, y’all with me on this? I mean, well what about Lenin? The other one ya know, ol’ Vladdy Ilyich. Do they like hang out all the time together? The other souls gettin’ them all confused, especially with that Back In The USSR song – yes I know McCartney wrote that one but McCartney never found himself in circumstances like these, ya know! And then there’s Working Class Heroes too, if you’re gonna be pedantic about it.

Or is there like a language barrier, like they wanna hang out but all the interpreters are busy trying to interpret just what is going on in the afterlife and are unavailable for mere communicatory purposes. I mean I would assume that everyone there has some sorta like ghostly babelfish allowing them to understand everything, but that might be a dangerous assumption. I mean imagine if during the séance I ask Lennon about Lenin, the one with two n’s and not three, the Russian guy, probably easier to say it that way, and the sadness of him saying that the language barrier is too great is just too much for any of us, including the medium, to bear. You need to plan these things ahead of time…

And I was talking about the Russian Ramones earlier, what about the Russian Beatles, what would they be called? Cause you know they got that rad letter the zheh, they call it the zhaba, I’m assuming that’s where Jabba The Hut comes from, look at all these assumptions today like I’m some sorta hep cat with nine lives and nothing to fear. But it could just be a strange coincidence, but I mean the letter looks like a frog which is why they call it that, and that’s what zhaba means in Russian. But it could also look like a beetle! It’s just a line drawing, a two-dimensional representation of a sound, ya know, but oh man – don’t frogs eat beetles? That’s scary as hell! This thing represents itself and the animal it feeds on. But maybe Lennon and Lenin have a band together that is just this almighty symbol. And Prince is there too. They tour together and it’s, it’s just symbols ya know! WOAH! Maybe it’s conceptual and they’re all just playin’ cymbals… Like the percussion, oh man… Would that then prove that John Lennon himself was the best drummer in The Beatles? Maybe he was referring to himself, the intrigue deepens, man. And ya know, what did he think of David Bowie & Bing Crosby’s version of The Little Drummer Boy? He musta talked about that with Bowie, well maybe, I’m not taking a hat trick of assumptions here, I’m not even wearing a hat! But I mean speakin’ of hats, he and Bowie wrote Fashion together, around the time of Young Americans. Despite neither of them being young Americans. Though they’re both in the B section at record stores. Not the same thing I know but it’s somethin’. And ya know, just to clarify, B as in the letter, not the insect. Though that’d be cool if they kept live bees at record stores. Near the ABBA and Jesus & Mary Chain singles. Walkin’ out with some new cds and a fresh batch of honey, sounds amazin’. Personally I’ve always wanted to name a band Elton John & The Beetles, spelt with two E’s of course so you don’t get sued. I just think that’s a great band name, you know like all those punk bands, the ones who did fight on Saturday nights – not that I’m condoning violence, even for the bees with their stingers ya know – but the Beetles, there’s that English band The Beat too. Their gigs on the Lower East Side, I wonder if that ever confused anybody with the whole LES abbreviation. Fans showin’ up, traveling thousands of miles to see what this Beatles reunion at a club in New York City is all about, and then The Beat, unaware of any possible misunderstanding, still for some reason chose to – for the first time ever – do a set of all Beatles covers? And maybe they do it like playin behind a screen like that PiL riot show, so that everyone leaves still havin’ no idea of what actually went on. Now I’m all confused myself, did this ever actually happen?

And ya know John Lennon imagine there’s no heaven or hell, well a séance would have to include some hard-hitting questions about that. In fact it would kind of back him into a corner…

And come to think of it, what did the whole spectral world think of Live Aid, ya know? And like what happened in the astral plane, you know, when David Lee Roth left Van Halen?! I mean that must have been insane. Atomic Punk, can barely begin to describe what was happenin’ there… Wow….wow…….wow……. I mean did like the whole spectral world like boycott Live Aid because of the name? Hmmm….Undead Aid…was that what wasgoin’ on? Did they have like their own superstar line-up that like far outdid Madonna ya know swearin’ and like throwin’ her shoe or whatever she did ya know? Aw, that woulda been hilarious if like Undead Aid happened the very next day and was just a parody of the whole Live Aid thing. Ya had like millions of undead souls just pretendin’ to be Phil Collins, teleporting from one place to another instead of flyin’ the Concord ya know. And people formed bands called The Shoes as like a dig at Madonna’s whole thang. That woulda been amazin’. Did Adam Ant play Live Aid, ya know Goody Two-Shoes? And what about Goody Two-Shoes? Does that phrase imply that like, the most badasses are like…people who only wear one shoe? OR MORE THAN A PAIR?! I mean that would be insane, you know. How do you wear more than two shoes?! That just seems complicated and uncomfortable. Then again, phrases like Goody Two-Shoes don’t come up for no reason. But everyone’s wearing two sh-, well no, it would be more correct to say everyone who is wearing shoes…is most likely wearing two shoes… Unless they’re in the act of putting one on, or taking one off, can’t rule that out. This whole phrase is a minefield. But I could always ask John Lennon about this at the séance”

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Episode Twenty – Lions

In which Young Southpaw traces the early days of wildcats playing professional sports, David Bowie’s obsession with this phenomenon, plus the great feline foray into jazz and movie-making as the secret history of The Wizard Of Oz comes to light

Taking in lions, tigers, bears, Duran Duran, football, soccer, baseball, Def Leppard, Prohibition, the roaring 20’s, Detroit, Rockport MA, Helmut’s Strudel, Lowenbrau, Katy Perry, William The Refrigerator Perry, William Parry, Wire, T.S. Eliot, C.S. Lewis, and much more…

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Episode Eighteen – Van Halen Child (Slight Return)

In which Young Southpaw further explores Van Halen numerology, catching a glimpse of their shamanistic bilocation attempts in the Van Hagar era, conjectures what each of Earth Wind & Fire’s solo albums would be like, expresses his wish for Swedish singer Robyn to cover Robyn Hitchcock’s ‘I Often Dream Of Trains’ album in its entirety as ‘I Often Dream Of Trains Too’, and much more.

Taking in 1984, 5150, OU812, For Unlawful Carnal Knowledge, Van Halen II, Women & Children First, Fair Warning, “Fare Warning”, ‘Top Of The World’, Mr. Solo, The Offspring, Wilson Phillips, Nelson, The Go-Betweens, Jesus Jones, Jimi Hendrix, German, the soft J, Amon Düül II, Ash Ra Tempel, Julian Cope, ‘Yeti’, yams, yaks, Stevie Ray Vaughan, David Bowie, the US Festival, Tom Baker, Dancing In The Street, Black Sabbath, Superchunk, Aerosmith, The Ramones, Bad Brains, Fugazi, The Replacements, Hanoi Rocks, Kraftwerk, a-Ha, Led Zeppelin, trains, ‘Crazy Train’, etc.

 

 

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